Readers working at the interface of cultural studies and global history will be excited to participate in this upcoming event in Lisbon (Portugal) in September 2017. This event follows the success of two previous workshops in 2014 and 2015, and focuses on the interconnections between global history and visual culture. The workshop is organized by the Institute of Medieval Studies, the Portuguese Centre for Global History, the Institute of Contemporary History and the Institute of Art History and will take place at the Universidade Nova de Lisboa (Nova University of Lisbon) from September 14-16, 2017. The call for papers from the organizers provides the following details:
Following the Ist (2014) and IInd (2015) International Workshops “Changes and continuities”, the Institute of Medieval Studies, the Portuguese Centre for Global History, the Institute of Contemporary History and the Institute of Art History, will organize the IIIrd Workshop entitled “Changes and Continuities. Global History, Visual Culture and Itinerancies”, to be held at the FCSH-UNL (September 14-16, 2017). The MeC3 will focus on three main research lines. All proposals will be distributed in one of them, under an interdisciplinary and trans-historical frame. Thus, the MeC3 accepts proposals relating to the following topics:
1. Global History – One of the main challenges that History has to face is globalization. National studies have demonstrated their incapability to correctly understand global phenomena, and the way in which they affect societies. This is why new parameters of study are needed. In this thematic line, the methodological and theoretical issues -in addition to the strictly historical one- will be studied n terms of globalization, from its origins, to its development and its present. Proposals may focus on the following subjects (not exclusively): comparative studies, evolution of global phenomena, historical processes in their diachrony, regional studies, changing economies, cultural continuities, methodological questions on globalization, etc.
2. Visual Culture – The insertion of Visual Culture in the theoretical methodology of Global History responds to the need to vindicate interdisciplinary. Through this theoretical approach, it will be possible to build a place of convergence for the different areas of Humanities; with the ultimate aim of creating a space for dialogue between the concepts of “Global History” and “Visual Culture”.
Only then we would be authorized to act through a “cultural visuality”. A better knowledge of the mechanisms of cultural interaction -underlining the process- remains an important problem, because the construction and deconstruction of Visual Global History is still taking place today. Therefore, rather than the study of images it is the study of the social life of images that will make sense.
Proposals may focus on the following subjects (not exclusively): traveling images, borders and images, social life of images, Visual Culture in Global History, theoretical sources for the study of the itinerant images; aesthetics of migration.
3. Itinerancies – One of the fundamental characteristics of Global History is interconnection. All human beings interact with each other, either passively or actively. In this context, one of the most relevant parameters of change emerges: the itinerancy of culture and knowledge. Therefore, itinerant agents take with them a cultural baggage, transporting and transmitting it to other spaces. In this way, the interconnection begins, producing active changes in Global History and Visual Culture. The relevance of the concept is due to the fact that it covers different areas of action: people who act as itinerant agents; materials that are brought in and taken away (traveling objects); origin and reception places of itinerant elements (anthropology of itinerancy); the visual, artistic or written representation of the phenomenon of itinerancy.
This Workshop aims to bring together researchers from different chronological periods, at different stages of their research, and to work on the themes indicated above. To submit a proposal you must complete the form available at http://3wimec.blogspot.pt/ until March 31, 2017. Abstracts and a short biography should contain a maximum of 300 words each.
Proposals may be in Portuguese, Spanish, English, French or Italian.
The Workshop includes the payment of a registration fee of € 20 for students and € 30 for researchers who submit a communication.
If you are interested in the above call, you will have to submit your abstract by March 31 2017 to Jorge Tomás García (firstname.lastname@example.org
). You can get further details on the workshop here